Monthly Archives: August 2009

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Janaki Rangarajan – Inside Out

The inside Out stage is simply gorgeous. Here’s a shot from yesterday’s performance by Janaki Rangarajan. She was beautiful. She was strong. She seemed as if she belonged right amongst the trees.

Stunning.

Em & Walt – LoveBook/GuestBook

I just did a rockin’ engagement shoot with Em & Walt a few weeks ago and now we are creating a LoveBook for them from the shoot. They are going to use it as a guest sign in book at their wedding reception. So we’ve designed the book with plenty of white space for the guests to sign.

Books like these have become popular and they are such a great idea. You get to show off the awesome shots from your engagement shoot and you create an even more valuable moment by having everyone from your wedding sign it.

Click HERE to see Em & Walt’s LoveBook/GuestBook!

Pillow Talk with Rachel Maddow

Rachel Maddow came to the Pillow Saturday to give a Pillow Talk. I was pleased at how down-to-earth and approachable she was. So funny and easy going. Lots of fun to be around. And super-duper smart.

“Sometimes we choose to serve our country in uniform, in war. Sometimes in elected office. And those are the ways of serving our country that I think we are trained to easily call heroic. It’s also a service to your country, I think, to teach poetry in the prisons, to be an incredibly dedicated student of dance, to fight for funding music and arts education in the schools. A country without an expectation of minimal artistic literacy, without a basic structure by which the artists among us can be awakened and given the choice of following their talents and a way to get to be great at what they do, is a country that is not actually as a great as it could be. And a country without the capacity to nurture artistic greatness is not being a great country. It is a service to our country, and sometimes it is heroic service to our country, to fight for the United States of America to have the capacity to nurture artistic greatness.”

“Not just in wartime but especially in wartime, and not just in hard economic times but especially in hard economic times, the arts get dismissed as ‘sissy.’ Dance gets dismissed as craft, creativity gets dismissed as inessential, to the detriment of our country. And so when we fight for dance, when we buy art that’s made by living American artists, when we say that even when you cut education to the bone, you do not cut arts and music education, because arts and music education IS bone, it is structural, is it essential; you are, in [Jacob’s Pillow founder] Ted Shawn’s words, you are preserving the way of life that we are supposedly fighting for and it’s worth being proud of.” – Rachel Maddow

Rennis Harris Backstage @ Jacob’s Pillow

Sunday afternoon I got to hang out backstage during the Rennie Harris Pure Movement show in the Ted Shawn Theater. These guys rocked! They moved super fast and were so fun to try and capture. After a few hundred frames, here are my favorites:

Massachusetss Governor Deval Patrick was in the audience and came backstage after the show to congratulate the dancers on an awesome performance.

Sunset at Inside/Out

Here’s the xodus dance collective at sunset on the Inside/Out stage yesterday.

Images of Jacob’s Pillow

I love being at Jacob’s Pillow because I get lots of face time with the artists. And there’s something magnetic about hanging out with truly great artists. Something really awakens in me when I’m witnessing people at the top of their game and creating on the edge. It’s exciting. I can’t get enough of it. And I can’t totally describe it either. Something that someone has that is IT.

Jason Samuels Smith certainly has IT. And I couldn’t get enough of it all last week.

When photographing dance I’m always conscious to include the dancers hands and feet. But there was something so explosive and unpredictable about Jason Samuels Smith that just couldn’t be contained. I love this shot.

The Rennie Harris Pure Movement is here this week, explosive in a whole different way. Here’s a shot of mine that was featured in the Financial Times and the Boston Globe this week.